DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report 12. Junge Mädchen brauchen Liebe. / Schoolgirl Report 12. If Mom Only Knew. 1978.
DE. Der 12. und vorletzte Schulmädchenreport widmet sich den Abenteuern junger Mädchen auf der Suche nach Liebe, zeigt aber auch die Folgen falscher Zuneigung, wie bei der Halbwaisen Anne, deren Gefühle für ihren großen Bruder weit über das Erlaubte hinausgehen. Dagegen endet der Ausflug einer Schulklasse, angeregt durch die versteckte Beobachtung eines leidenschaftlichen Paares, als fröhliche Liebesfahrt. Eine Überraschung ganz anderer Art erlebt die junge Gabi, die mit ihre Mutter einen Arzt besucht, der sich - nach dem er seine eigenwillige Untersuchung durchgeführt hat - als Installateur erweist. Diese und weitere Episoden bieten wieder jede Menge pikanter Einsichten in das Liebesleben junger Mädchen!
EN. The five teenage members of the school newspaper have to stay after class to see to the overflow of responses to their query of letters to the editor in response to the question: "In today's world, can a girl still be called a girl?" Each student presents a letter starting with the story of young Anne who has fostered an attraction to her pilot brother Helmut (Claus Tinney, SCHOOLGIRL REPORT 11) – fifteen years her senior – who has raised her since their mother died in childbirth. The seemingly mutual attraction smolders until the pair run into Helmut's stewardess ex-wife making a spectacle of herself with an American pilot. The taboo relationship is consummated, but not without consequences (mirrored by a class discussion of Lord Byron and his Gothic poem "Manfred"). On a lighter note, the story of Barbara (Gudrun Grau) finds her on a class trip to the countryside to observe the animal behavior. She is reluctant to go all the way with boyfriend Heiner (Stefan Wiesehöfer) – her only knowledge of the male form comes from art class – until she and her friends observe a pair of locals mating like rabbits "boar style" in the bushes. This not only gets her hot and bothered but also the entire class who take off to convenient haystacks and bushes to the bewilderment of their chaperones. On a more politically incorrect note, the story of Gabi (Johanna Ebertseder, SEXY WIVES) finds the naïve girl dragged by her mother (Helena Rosenkranz, SCHOOLGIRL REPORT 7) to the doctor's office for her migraines which keep her away from class. Unfortunately, they have come a day early and mistake young plumber Herbert Ballermann (Michel Jacot, SELF SERVICE GIRLS) – playing dress-up in lab coat and spectacles – for the highly recommended Dr. Meisentopf (Wolf Harnisch, SEX IN THE OFFICE); and he's only too happy to inspect her pipes using the highly unorthodox "Ballermann Method". Poor Etta (Ginny Noack, PLAYGIRLS OF MUNICH) can't figure out whether she's a "nymphomaniac or just insanely horny". With her father in rehab since the suicide of her prodigy brother (the handheld POV discovery of the body looks like something out of a giallo), the sight of her mother fooling around with various strange men sends Etta into a frenzy of masturbation until she hooks up with rich classmate Paul (Sascha Atzenbeck, SO DEEP, SO GOOD) who turns her on to motorcycle sex and heroin, turning his "hump pad" into a brothel so that she can support her habit (the editors of the paper would like to help her but the letter is signed "Anonymous", despite the fact that she introduced herself as Etta in the narration at the start of the vignette). The final story finds daddy Ottokar (Ulrich Beiger, THE GREAT ESCAPE) shocked and daughter Dina pleasantly surprised when French exchange student Niki turns out to be not a girl but a virile jock (Willy Adler). Ottokar wants to put him on the next train back to Paris, but Dina's mother (Eva Berthold, WOMEN IN HOSPITAL) has her way (after daddy pushes an armoire in front of the connecting passage between the youths' bedrooms. Dina tries to get Niki to notice her, and had to significantly step up her game when classmate "Betty the Beast" (Margitta Hofer) makes a play for him.
Directors: Walter Boos.
Cast: Willy Adler, Sascha Atzenbeck, Ulrich Beiger, Eva Berthold, Marianne Dupont, Johanna Ebertseder, Sylvia Engelmann, Gudrun Grau, Wolf Harnisch, Margitta Hofer, Michel Jacot, Hans J. Jung, Wolfgang Jung, Karin Kernke, Roswitha Krey, Ginny Noack, Helena Rosenkranz, Claus Tinney, Elisabeth Welz, Stefan Wiesehöfer
West Germany, 1978.
Language: German, Russian.
File Size : 2,26 GB
Cast: Willy Adler, Sascha Atzenbeck, Ulrich Beiger, Eva Berthold, Marianne Dupont, Johanna Ebertseder, Sylvia Engelmann, Gudrun Grau, Wolf Harnisch, Margitta Hofer, Michel Jacot, Hans J. Jung, Wolfgang Jung, Karin Kernke, Roswitha Krey, Ginny Noack, Helena Rosenkranz, Claus Tinney, Elisabeth Welz, Stefan Wiesehöfer
West Germany, 1978.
Language: German, Russian.
Format : MKV / 720x480
Duration : 1h 18 minFile Size : 2,26 GB
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