DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report 11. Teil - Probieren geht über Studieren. / Schoolgirl Report 11. Trying Beats Studying. 1977.
DE. Das Jugendschutzgesetz ist Thema einer heißen Debatte im Studio des Funkhauses. Eine Hausfrau, eine Jugendpsychologin, ein Oberstudiendirektor und ein Kriminalkommissar diskutieren anhand konkreter Fälle, z.B. dem Selbstmord einer "Nachhilfeschülerin", der überreizten sexuellen Fantasie einer jungen Klägerin, den Startschwierigkeiten zweier Mädchen beim Versuch, sexuelle Erfahrungen zu sammeln, oder der heiteren Geschichte einer 18-Jährigen, deren Freundinnen ihr helfen wollen, ihre Jungfräulichkeit zu verlieren.
EN. The frame story of the eleventh installment of the series is a radio show in which the host (Hellmuth Haupt, SWINGING WIVES) asks his panel – police inspector Jenkel (Ulrich Beiger, THE GREAT ESCAPE), social worker Dr. Hammacher (Astrid Boner, VANESSA), "humanist school principal" Dr. Wolters (Peter Böhlke, TOTO THE HERO), and housewife Thea Berthold (Linda Caroll, DOORWAY TO SUSPICION) – if current laws to protect youth are too liberal and in need of reform. Jenkel takes the conservative position with his story of seventeen-year-old Martina whose school performance suffers until she gets tutelage from eighteen-year-old Rolf who demands payment in sex. Things take a turn more tragic than failed classes when he tires of her. Hammacher offers up a counter example in Regina (Jess Franco favorite Karine Gambier) who accuses her tutor of rape in a he-said-she-said account already used in the previous installment of the series (although this one has a more humorous ending). During a cigarette break, recording assistant Gila provides a refreshing anecdote about her first time to demonstrate that some youths are all bluff when it comes to their supposed jaded carnal knowledge: a foursome with friend Gabi (Alexandra Bogojevic, SALON KITTY), "stud" Hansi and his nerdy friend Traugott (Claus Obalski, SCHOOLGIRL REPORT #10) in a barn with rickety floorboards and precariously-stored cans of paint. When the host asks about the influence of pornography, Principle Wolters offers up an example about the dangers of repression in loner Michaela whose grades have suffered since she has been caring for her ailing mother. Her lack of street smarts gets her roped into sexual exploitation by a gang of bikers. Housewife Thea, on the other hand, discusses the rush of young people to lose their virginity, including her daughter Susi (series regular Sandra Atia) whose friend Ulla gives her birth control pills for her eighteenth birthday and then locks her in a room with her cousin Achim (Heiner Lauterbach, LOVE CAMP) until they do the deed.
The eleventh installment is really more of the same with the writers struggling more and more to find themes of social significance on which to hang vignettes before petering out with the last story and no real closure other than a brief summing up narration. It does improve on the last two installments, however, with more explicit sexuality rather than just plentiful nudity, as well as some visual inventiveness. Those already invested in the series will want to grab this one, while newbies might start here just as easily as with any of the other installments.
Directors: Ernst Hofbauer.
Cast: Karine Gambier, Helga Anders, Sandra Atia, Ulrich Beiger, Alexandra Bogojevic, Astrid Boner, Peter Böhlke, Kurt Bülau, Linda Caroll, Rolf Castell, Elke Deuringer, Marianne Dupont, Josef Fröhlich, Hellmuth Haupt, Jane Iwanoff, Rolf Kochenhofer, Heiner Lauterbach, Wolfgang Müller, Claus Obalski, Hasso Preiß, Rudi Sandmayr, Claus Tinney, Hans von Borsody, Margit Weinert, Gert Wiedenhofen
West Germany, 1977.
Language: German, Russian.
File Size : 2,26 GB
Cast: Karine Gambier, Helga Anders, Sandra Atia, Ulrich Beiger, Alexandra Bogojevic, Astrid Boner, Peter Böhlke, Kurt Bülau, Linda Caroll, Rolf Castell, Elke Deuringer, Marianne Dupont, Josef Fröhlich, Hellmuth Haupt, Jane Iwanoff, Rolf Kochenhofer, Heiner Lauterbach, Wolfgang Müller, Claus Obalski, Hasso Preiß, Rudi Sandmayr, Claus Tinney, Hans von Borsody, Margit Weinert, Gert Wiedenhofen
West Germany, 1977.
Language: German, Russian.
Format : MKV / 720x480
Duration : 1h 17 minFile Size : 2,26 GB
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