DE. Schulmädchen-Report, wer kennt sie nicht von Produzenten Wolf C. Hartwig. In 38 Sprachen übersetzt mit 100 Mio. Zuschauer gilt er als erfolgreichste Deutsche Kinoproduktion. Kulturgut! Besser als die meisten Komödien, trauriger als die meisten Dramen und erotischer als die meisten Sexfilme.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report ist eine Buchverfilmung eines 1970 erschienenen Buches von Günther Hunold, das Interviews mit zwölf Mädchen und jungen Frauen im Alter von 14 bis 20 über ihre Sexualität präsentierte.
Die Schulmädchen-Report Reihe haben 3x die Goldene Leinwand gewonnen.
Die in aller Regel unbekannten jungen Darstellerinnen, die die Schulmädchen des Titels mimten, waren nicht die vom Filmplakat als „Mitwirkende“ angegebenen Mädchen aus Mittelschulen und Gymnasien und ihre Freunde, sondern nach Angaben Hartwigs anfangs hauptsächlich Kaufhaus-Verkäuferinnen im Alter von 16 bis 19 Jahren, denen eine Tagesgage von 500 DM geboten, mit den zunehmenden Fortsetzungen stieg die Gage bis zu 1000 DM.
EN. The film is a pseudo-documentary loosely based on the non-fictional book Schulmädchen-Report by sexologist Günther Hunold. Published by Kindler Verlag (Munich) the same year, the book presented interviews with twelve teenage girls on their sexual lives.
Erwin C. Hartwig and Ernst Hoffbauer had their finger at the pulse of youth counterculture when the sexual revolution of the late sixties swept Europe. Unbelievably well over 6 million people went to see Schoolgirl Report im kino. Schoolgirl Report caused a stir in the old Bundesrepublik and made Hartwig a millionaire.
Schoolgirl Report was progressive for its time and it has all but admitted that the “documentary” framing device was merely there to avoid the kind of censorship that movies like this usually endured.
Later installments became increasingly wild and concerned themselves less with a semi-realistic depiction of youth sexuality.
Schulmädchen-Report 10. Teil - Irgendwann fängt jede an. / Schoolgirl Report 10. Every Girl Starts Sometime. 1976.
DE. Beim Unterricht ihrer 16- bis 18-jährigen Schülerinnen beweist eine ältere Lehrerin viel Humor. Thema der Stunden sind die Regeln, auf die das gesellschaftliche Verhalten aufgebaut ist, wie Recht, Gesetz, Brauch, Sitte und Moral. Anhand von fünf delikaten Erlebnissen wird jedes dieser Prinzipien ausführlich veranschaulicht: Der Nachhilfelehrer, das triebhafte Mädchen, das Miststück, der Exorzist und das Doppelleben - eine informative, teils dramatische, lustige und vor allem anregende Mischung.
EN. Inga doesn’t so much relate her story as zone out and recollect her quest to lose her virginity and experience sexual satisfaction after the handsome brother (Heinz Gerstl, BOTTOMS UP) of her schoolmate rejects her because he doesn’t do virgins. Her journey takes her into a series of encounters with disco hookups, bikers, and total strangers. Sophomore Kathy Dietz is no innocent. Sick of her not-much-older stepmother Angelika (Karin Lorson, THE SENSUOUS HOUSEWIFE) monopolizing her father (Günther Kieslich, BETWEEN THE COVERS), she promises to sleep with artist Frank if he seduces her stepmother first so that she can provide her father with photographic evidence; however, things don’t go exactly as planned. Young Seffi (Alexandra Bogojevic, SALON KITTY) manages to miss her bus and her class while she and her boyfriend Karli (Peter Hamm, BLOODLUST) try to steal a few moments of privacy away from the prying eyes of her mother (Ursula Reit, NAUGHTY NYMPHS) and her protective uncle (Willy Schultes, LOVE BAVARIAN STYLE). Karli hits upon an idea when his boss (Edgar Wenzel, TEENAGE GAMES) loans him his copy of William Peter Blatty’s THE EXORCIST: Seffi is to pretend to be possessed and Karli will show up disguised as a monk to exorcise her! The final story is that of Iris (Gina Janssen, HELLHOLE WOMEN) – the student most adamant that the government should stay out of private affairs – who has been having a relationship with supposedly single “sugar daddy” managing director Walter (Paul Glawion, I DEAL IN DANGER). No sooner is she confronted by Walter’s wife (Astrid Jacob) – more angry that Iris has been seen in public with her husband than about the affair itself – than Walter’s nephew (Claus Tinney, BED CAREER) hoping to take his place in her bed. #10 is rather refreshing after part nine which was a bit of slog. The framing philosophical question of this installment still is only tangentially related to the episodes, and none of them actually provoke any deeper discussion; but they move at a nice clip. There’s really more nudity than actual sex here, but seasoned viewers of the series will know what to expect (newbies might be disappointed however). The longest segment of the film, THE EXORCIST parody is the funniest of the comic episodes, of which there are fewer here than usual (series director Walter Boos had already tacked an EXORCIST rip-off in 1974 with MAGDALENA, POSSESSED BY THE DEVIL). Bogojevic may not be the hottest-looking actress in the film, but she’s hilarious as she tries out her possession faces and voices to bewildered strangers on the way home before letting loose at home (as something like a cross between an obscene Larry Fine and Lucille Ball). With the exception of the EXORCIST episode, the other stories could all have been fleshed out to feature length (with equal additional helpings of plot and sex). Part ten might not be the best place to start, while it will be a must-buy for collectors of the series.
Directors: Walter Boos.
Cast: Eva Berthold, Alexandra Bogojevic, Astrid Boner, Reiner Brönneke, Siggi Buchner, Marianne Dupont, Walter Feuchtenberg, Heinz Gerstl, Paul Glawion, Max Grießer, Joachim Hackethal, Peter Hamm, Astrid Jacob, Gina Janssen, Yvonne Kerstin, Günther Kieslich, Carina Kreisch, Carl-Heinz Kühn, Heiner Lauterbach, Karin Lorson, Bärbel Markus, Ingeborg Moosholzer, Claus Obalski, Ursula Reit, Willy Schultes, Anke Syring, Claus Tinney, Annemarie Wendl, Edgar Wenzel
West Germany, 1976.
Language: German, Russian.
Format : MKV / 720x448
Duration : 1h 17 min
File Size : 2,26 GB
Download Schulmädchen-Report 10. Teil - Irgendwann fängt jede an. / Schoolgirl Report 10. Every Girl Starts Sometime. 1976.
File Size : 2,26 GB
Download Schulmädchen-Report 10. Teil - Irgendwann fängt jede an. / Schoolgirl Report 10. Every Girl Starts Sometime. 1976.
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